![]() By adopting the philosophy of theatre of the absurd in analyzing “Waiting for Godot,” this study focuses on Beckett’s employing the dual motif in the plot of the play and its implications, represented in chances that play a significant role rather than logic in the characters’ lives. Samuel Beckett’s “Waiting for Godot,” a tragic comedy, (1952) is among the most mysterious dramas of the twentieth century that represents the philosophy of absurdism. The theatre of the absurd was first termed by Martin Esslin, whereas the term ‘absurd’ was first used by Albert Camus in his classic essay ‘The Myth of Sisyphus’. As a result, new existentialist literature was produced, resulting in a new wave of absurdist fiction plays. ![]() Following two world wars, the human essence was affected by pessimism and a loss of faith. ![]()
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